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Friday, July 4, 2008

Sarkar Raj.....

After a tiring and grumbling day of work decided to go for a movie....started the search for ticket online and finally decided to catch up 10:45 pm show of Sarkar Raj...at Fame Inorbit(Malad).... since we booked ticket at last moment...what else cud have been expected got the tickets of 1st row from the screen and So was lucky to see Aishwarya Rai closely...Finally after some adds and delay the movie started at 11:00 pm...With Mr. Bachchan making the first appearance....
This what i felt for the movie....
First things first: A huge round of applause to Ram Gopal Varma. The director has redeemed himself after the failures of NISHABDH and RAMU KI AAG. This here is vintage Ramu at his best, no doubt about it. Just goes to show that one should stick to what one is best at. And no one uncovers the underbelly of crime and politics as succinctly as RGV.
SARKAR RAJ is a thriller to the core. It may have the background of power politics but when it's time to reveal his cards, Ramu pulls out his 'Aces', one after another to dish out a gripping fare. The final 'Ace' he delivers at Sarkar's house is mind numbing! To reveal more would be a crime. Just goes to show that it's not only the ones bred in the city who are power hungry, but also those in far off villages! Hence, he does full justice to the tagline: 'Power cannot be given. It has to be taken'. And on this line rests the plot of SARKAR RAJ, a sequel to SARKAR! Yes, it also takes a fresh look at the tradition versus modernity debate.
Anita Rajan (Aishwarya Rai-Bachchan) is the CEO of Sheppard Power Plant. This international company wants to set up a power plant in rural Maharashtra. Only the Nagres can help. A meeting is facilitated by Govind Namdeo (Hassan Qazi) an aspiring politician. Sarkar (Amitabh Bachchan) sees no sense in this project and dismisses it outright. But Shankar Nagre (Abhishek Bachchan) thinks otherwise. He feels that this power plant will be a huge benefit for the villagers in the interiors of Maharashtra. After convincing his father, Sarkar, he mobilizes support from the villagers and goes about the business with Anita. But things are not as easy as they seem. Shankar meets with obstacles, one after another and as the plot unfolds, you realise how the characters are used as a pawn for a completely different game!
The background score by Debashish Mishra is commendable. Even when there are no dialogues being spoken, Mishra creates the mood, which speaks a thousand words with his music, as the cameraman, Amit Roy, takes astute angles. The sepia tone throughout the film maintains the mood of this exciting fare. To my mind, there is no standout performance.